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A book cover for "I Walked Into My Shortcomings: Writings, Interviews, Teaching" featuring a grainy black-and-white photograph of a man holding a long pole against a pale grey background.

I Walked Into My Shortcomings

Regular price $66.00 CAD
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A monumental compendium that brings together the writings, teachings and interviews of legendary American filmmaker Ken Jacobs.

I Walked Into My Shortcomings is the first book to gather the writings, teachings and interviews of Ken Jacobs (1933–2025), a towering and singular figure in American art and experimental film. Spanning seven decades of creativity, these texts complement a body of work that ranges from downtown capers and reworkings of historical found footage, to groundbreaking performances of expanded cinema and radical explorations of perception and depth. They reveal an artist relentlessly committed to transforming how we engage with the moving image. In his own inimitable words, Jacobs narrates a lifetime of experimentation while offering a gritty and incisive critique of American society and its entanglements with capitalism, representation, race, and ethnicity. At once personal, theoretical, and political, the book captures the urgency and wit of a practice that will continue to reshape how we see and think.

Ken Jacobs (1933–2025) was a New York–based artist, filmmaker and teacher. Alongside contemporaries such as Stan Brakhage, Jonas Mekas and Andy Warhol, Jacobs was at the forefront of the New American Cinema, an explosion of radical filmmaking in the 1960s epitomised by his films Little Stabs at Happiness and Blonde Cobra, both featuring Jack Smith.

A former student of painter Hans Hofmann, Jacobs introduced principles of Abstract Expressionism into cinema, treating the moving image as a site of perceptual, spatial, and temporal experimentation. His prodigious output spans films, expanded cinema performances, paracinematic interventions, and later 3D and digital innovation. Landmark works include Star Spangled to Death and Tom, Tom, the Piper’s Son (selected for the Library of Congress National Film Registry).

Jacobs started the Millennium Film Workshop in 1966 and, in 1969, co-founded the Cinema Department at SUNY Binghamton, where he taught until retiring as Distinguished Professor of Cinema. He has been the subject of retrospectives at MoMA, Museum of the Moving Image, Austrian Film Museum, International Film Festival Rotterdam and elsewhere. In 2023 MoMA acquired over 200 films and videos, forming the largest institutional repository of his work. His papers are held in the Ken and Flo Jacobs Collection at the University of Colorado Boulder.

William Rose
is a UK-based curator, producer and researcher in the field of artists’ moving image.

  • Publisher ‏ : ‎ The Visible Press
  • Publication date ‏ : ‎ April 2026
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 544 pages
  • ISBN: 978-0-9928377-5-4
  • Dimensions ‏ : ‎ 240 x 170 x 34 mm
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