{"product_id":"no-more-chainsaws","title":"No More Chainsaws","description":"\u003cp\u003e\u003cstrong\u003e“Welcome to the Golden Age of Women-Directed Horror.” \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOver the last fifteen years, there has been a sustained global influx of women artists working in mainstream and independent horror cinemas earning notable public and industry acclaim. As a result, now, for the first time in horror history, there is also a concentrated corpus of films that explicitly address topics of identity, sexuality, trauma, and monstrosity from women’s perspectives. \u003c\/span\u003e\u003ci\u003eNo More Chainsaws\u003c\/i\u003e\u003cspan\u003e offers an in-depth analysis of some of the earliest and underrated releases within this New Wave of women’s horror cinema: Catherine Hardwicke’\u003c\/span\u003e\u003ci\u003es Twilight \u003c\/i\u003e\u003cspan\u003e(2008), Karyn Kusama’s\u003c\/span\u003e\u003ci\u003e Jennifer’s Body\u003c\/i\u003e\u003cspan\u003e (2009), Jennifer and Sylvia Soska’s \u003c\/span\u003e\u003ci\u003eAmerican Mary\u003c\/i\u003e\u003cspan\u003e (2012), and Kimberly Peirce’s \u003c\/span\u003e\u003ci\u003eCarrie \u003c\/i\u003e\u003cspan\u003e(2013).\u003c\/span\u003e\u003ci\u003e No More Chainsaws \u003c\/i\u003e\u003cspan\u003earticulates the ways in which these contemporary films attempt to liberate horror from an overdetermining gendered lexicon of violence and terror.\u003c\/span\u003e\u003c\/p\u003e","brand":"UTP Distribution","offers":[{"title":"Paperback","offer_id":67988732281146,"sku":"9781978824294","price":36.95,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1765\/3531\/files\/nomorechainsaws.png?v=1794592150","url":"https:\/\/shop.tiff.net\/products\/no-more-chainsaws","provider":"TIFF Shop","version":"1.0","type":"link"}